Identities, Body, and Politics in the Slam Poetry Scene in Santiago, Chile
Authors
-
Diego Caro
Pontificia Universidad Católica de Chile
https://orcid.org/0009-0004-4167-8421
-
Valentina Yáñez
Universidad de Chile
https://orcid.org/0009-0009-8209-0946
Abstract
This article examines the emergence of Slam poetry in the world of literature in Chile, highlighting the subjective meanings and interpretative schemes of their main actors. Through qualitative research, the narratives of slammers are analyzed, emphasizing the creation of a vital space for marginalized and underrepresented voices in the country’s poetic scene. The narrative approach employed allows us to show how slam poetry collectives challenge established literary rules and provide a space where marginalized voices can be heard and valued. This study contributes to a greater understanding of cultural dynamics in Chile and underscores the importance of poetry collectives as agents of social and cultural change.Keywords:
Artworld, Narrative, Chilean poetry, Oral poetry, Slam poetryReferences
Archer, M. S. (2009). Can reflexivity and habitus work in tandem? En Conversations about reflexivity (pp. 123–143). Routlage.
Barthes, R. (1987). La muerte del autor. El susurro del lenguaje.
Becker, H. (1982). Art Worlds. California University Press.
Becker, H. S. (1973). Outsiders: Studies in the sociology of deviance.
Blumer, H. (1984): El Interaccionismo simbólico, perspectiva y método. Hora, S.A. Madrid
Bourdieu, P. (1995). Las reglas del arte (T. Kauf, Ed.). Anagrama.
Bruce, H. E., & Davis, B. D. (2000). Slam: Hip-Hop Meets Poetry--A Strategy for Violence Intervention. Source: The English Journal, 89(5), 119–127.
Cappaso, V. (2018). Lo político en el arte. Un aporte desde la teoría de Jacques Rancière. Instituto de Investigaciones en Humanidades y Ciencias Sociales (IdIHCS–CONICET–UNLP), Universidad Nacional de La Plata
Chase, S. E. (2018). Narrative Inquiry: Toward Theoretical and Methodological Maturity. En N. Denzin & Y. Lincoln (Eds.), The SAGE Handbook of Qualitative Research (5th ed., pp. 946–970). Sage Publications.
Craig, A., & Dubois, S. (2010). Between art and money: The social space of public readings in contemporary poetry economies and careers. Poetics, 38(5), 441–460. https://doi.org/10.1016/j.poetic.2010.07.003
Davis, C. (2018). Writing the self: Poetry, Youth Identity, and critical poetic inquiry. Art/Research International, 3(1), 114–131.
Denzin, N. K., & Lincoln, Y. S. (2018). The SAGE Handbook of Qualitative Research (Vol. 5).
Fields, A., Snapp, S., Russell, S. T., Licona, A. C., & Tilley, E. H. (2014). Youth Voices and Knowledges: Slam Poetry Speaks to Social Policies. Sexuality Research and Social Policy, 11(4), 310–321. https://doi.org/10.1007/s13178-014-0154-9
Fischer-Lichte, E. (2008). The Trans formative Power of Performance: A New Aesthetics (1st ed.). Routladge.
Galicia, Á., & Enrique, C. (2015). Los efectos psicosociales de la poesía slam. http://hdl.handle.net/20.500.11777/1305http://repositorio.iberopuebla.mx/licencia.pdf
Graduño, M. Y. (2019). Slam Poetry: Una comparativa entre México y Estados Unidos.
Gregory, H. (2008). The quiet revolution of poetry slam: the sustainability of cultural capital in the light of changing artistic conventions. Ethnography and Education, 3(1), 63–80. https://doi.org/10.1080/17457820801899116
Hadas, M. (2021). Outlines of a Theory of Plural Habitus. Routledge. https://doi.org/10.4324/9781003179702
Hoffman, T. (2001). Treacherous Laughter: The Poetry Slam, Slam Poetry, and the Politics of Resistance. In Popular Culture.
Holstein, J. A. (2018). Advancing a Constructionist Analytics. In N. Denzin & Y. Lincoln (Eds.), The SAGE Handbook of Qualitative Research (5th ed., pp. 692–719). Sage Publications.
Larraín, J. (2001). Identidad chilena. LOM ediciones.
Lahire, B. (2012). De la teoría del habitus a una sociología psicológica. Revista de Investigación Educativa, 14. http://www.uv.mx/cpue/num14/inves/lahire_
Muhammad, G. “Gholdy,” & Gonzalez, L. (2016). Slam Poetry: An Artistic Resistance Toward Identity, Agency, and Activism. Equity and Excellence in Education, 49(4), 440–453. https://doi.org/10.1080/10665684.2016.1226105
Noble, G., & Watkins, M. (2003). So, how did Bourdieu learn to play tennis? Habitus, consciousness and habituation. Cultural Studies, 17(3–4), 520–539. https://doi.org/10.1080/0950238032000083926
Pérez, A., & Torras, M. (2019). ¿Qué es una autora? Encrucijadas entre género y autoría. Icaria.
Ranciere, J. (2010). Dissensus. On Politics and Aesthetics. Continuum.
Ranciere, J., & Zizek, S. (2014). The Politics Of Aesthetics: The Distribution of the Sensible. Continuum.
Salomone, A. (2011). Ecos antiguos en voces nuevas. Pos-memorias poéticas de mujeres en Chile y Argentina. Universidad de Chile.
Sacks, S. L. (2020). Moving Forms: Individuals, Institutions, and the Production of Slam Poetry Networks in Southern Africa. ASAP/Journal, 5(1), 153–179. https://doi.org/10.1353/asa.2020.0006
Scarano, L. (1997). Travesías de la subjetividad: Ficciones del sujeto / Posiciones del sujeto. CELEHIS.
Schutz, A. (1955). Don Quijote y el problema de la realidad. DIÁNOIA, 1(1), 312–330.
Schweppenhäuser, J., & Stougaard Pedersen, B. (2017). Performing poetry slam and listening closely to slam poetry (Vol. 7, Issue 1). www.soundeffects.dk
Silva, C. R. da. (2022). identidade coletiva do slam poetry. Plural, 29(01), 232–253. https://doi.org/10.11606/issn.2176-8099.pcso.2022.190713
Somers-Willett, S. B. A. (2015). Slam Poetry and the Cultural Politics of Performing Identity. Source: The Journal of the Midwest Modern Language Association, 38(1), 51–73.
Souto Salom, J., & Souza Pires, W. J. (2020). The boom of spoken poetry slams in Brazil. Literatura: Teoria, Historia, Critica, 22(2), 381–419. https://doi.org/10.15446/lthc.v22n2.86096
Twitter